In this public commission, undertaken in partnership with the Donkey Sanctuary of Canada, artist Gareth Long cared for two donkeys from the Sanctuary each Saturday throughout the month of June 2018, taking them for short walks along the Lower Don Trail.
Long has introduced the motif of the donkey in many of his previous works, as a way of engaging with methods of education and the processes of learning. Culturally speaking, donkeys have a long history as a motif in art and literature, typically representing stupidity, the “ass” or the fool; but they are also often included to represent moments of metamorphosis. In some of the oldest donkey stories – The Golden Ass by Apuleius, Lucius, or the Ass by Lucian, and Bottom from A Midsummer Night’s Dream – this “beast of burden” is frequently depicted as undergoing a process of transformation, changing itself, as well as the people and environments around it.
These shifts have strong allegorical parallels with the Don Valley. The modern (and colonial) history of the Don Valley is one of industry and labour, and over the past century the Valley has been transformed, over-industrialized and neglected. In this public work, Long layered these two narratives.
As an artwork, Travels with Two Donkeys in the Valley is a catalyst for a new social situation set within the changing public landscapes of Toronto. The project created an unexpected prompt for conversation with passers-by, who were invited to walk with the artist and the donkeys in the Don Valley.
Through quiet, communal explorations of the Don Valley each Saturday, the learning here was manifold – in raising awareness of the vital work of the Donkey Sanctuary of Canada; in fostering dialogue around the ongoing transformations of the Valley; and in the project’s emphasis on empathy, care and ecological awareness as an antidote to a frenetic urban environment.
Each Saturday, the donkeys temporarily resided in a shed installed in the Don Valley. The shed, designed by Long, was inspired by a modular schoolhouse design by mid twentieth-century French designer and architect, Jean Prouvé. His temporary, demountable architecture was produced as a solution to the housing crises of his day and espouse an underlying social and political consciousness in how they were designed and built. Long extended these principles to present-day Toronto, building the structure using materials that resonate with both the past and present of the Don Valley and the vernacular materials of the farm, while introducing the schoolhouse as a site of education and conversation – a reversal of the usual connotation of the donkey and a surprising discovery in the heart of the Don Valley. After the project, the shelter was donated to the project’s partner, the Donkey Sanctuary of Canada.
The shed was designed and built in collaboration with artist and architect Christian Kliegel.
This project is possible with the support of the Toronto Arts Council, and with Gareth Long’s support from the Canada Council for the Arts.
Since 1992, The Donkey Sanctuary of Canada has been a refuge for donkeys, mules and hinnies who have been neglected or abused, or who can no longer be cared for by their owners. At the Sanctuary, the animals are provided a welcome and often life-saving peaceful haven after years of suffering and neglect.
As the Sanctuary’s website states:
One of the questions we regularly get, from visitors, from people in conversation, indeed, even from our friends and family, is: why donkeys? We provide a simple answer to this question – ‘Because it’s necessary’. It is necessary because, as one of our staff members puts it, the donkey is the forgotten equine, too often a subject of ridicule, and too often as well considered disposable at the end of its working life. […] We provide a sanctuary for these animals, where they may live out their lives naturally, in peace, and without obligation to humans. Because we believe in the value of animal life, and because in particular at our Sanctuary – we believe in the value of the lives of the no-longer-forgotten equine. That is why donkeys.
Gareth Long (b.1979, Toronto) holds a BA in Visual Studies and Classical Civilizations from the University of Toronto and an MFA from Yale University. Long has held solo exhibitions at Kunsthalle Wien, Austria; Kate Werble Gallery, New York; Michael Benevento, Los Angeles; TORRI, Paris; Super Dakota, Brussels; Susan Hobbs Gallery, Toronto; SpazioA, Pistoia; Oakville Galleries, Oakville; the Southern Alberta Art Gallery, Lethbridge; Galerie Bernhard, Zürich. His work has been shown at galleries and institutions such as MoMA PS1, Long Island City; The Hessel Museum of Art at Bard College, Annandale-on-Hudson; Museum of Contemporary Art Denver, Denver; Musée d’art contemporain de Montréal, Montreal; Artists Space, New York; Casey Kaplan Gallery, New York; Flat Time House, London; Drawing Room, London; Spike Island, Bristol; Wiels, Brussels; Salzburger Kunstverein, Salzburg; Badischer Kunstverein, Karlsruhe; and Witte de With, Rotterdam.